![]() ![]() But for folk, jazz, pop, and rock musicians, chords are the foundation of how they think about, play, and perform music. Although guitar players use chord symbols all the time, for many beginning piano students chords are a mysterious art. Have you ever seen those letters up above the staff in your sheet music and wondered what they are? Those letters are chord symbols. ![]() This is a great place for beginners to start! Hopson, Hal.Learn how to play piano chords with the help of our piano chord charts.All Ye Who Hear (A Hymn Concerto on "Praise to the Lord, the Almigty") Other Congregation and Choral arrangements: ![]() The Creative Use of the Piano in Worship. (Congregation, Brass Quartet, Timpani, Organ) ![]() (SATB with organ, timpani and congregation) Here are some good resources for organ and piano: But lead confidently with your vocalists and don’t do it for too long the first couple times if you continue this practice, over time people will begin to feel more comfortable, and it can be a powerful and moving way of joining our individual songs with those that we sing as one people. This might be something very new to your congregation, and if so, don’t be surprised when you can’t hear anyone the first few times. This time of spontaneous singing can be framed by a familiar tune and text, such as “Praise to the Lord, the Almighty.” Especially when using the Cottrell refrain, while the band keeps playing through the chorus, invite the congregation to sing their own words of praise to God, using any words, and any tune. Certain traditions in the church around the globe practice singing in the spirit or singing spontaneously: singing a tune that you haven’t borrowed from anyone, and words that you have come up with on the spot. When singing with a congregation, this becomes a communal song of praise, but it is also possible to incorporate a time of personal praise. This is one of the most familiar hymns of praise, and is a wonderful way to begin a worship service or time of praise throughout the year.
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